As most of my readers know, as a writer I don’t quite fit into any stereotype. My books get published through the traditional system [otherwise considered as equivalent to the “evil empire” or the dark side by some “indie” authors], but what I write doesn’t quite fit into any neat pigeonhole, at least not if one reads it carefully. I don’t have an agent and never had. But I spent almost twenty years in jobs requiring suits, and sometimes three-piece suits at that.
Before that, after college, I started out as a conventional naval officer – technically, a line officer – but quickly decided that it wasn’t for me. So I qualified to be considered for either SEAL training [I figured more than ten years of competitive swimming couldn’t hurt] or flight duty. When I saw all the running that the SEALs did, however, and considered the fact that I have short legs and small feet and that they were always running through sand, I opted for flight training, in the middle of the Vietnam War, giving up relatively safe duty for something that was anything but safe. I ended up as a helicopter search and rescue pilot, flying off of carriers, and occasionally landing on tight places on cliff-tops.
Although I’d read science fiction from my early teens on, I didn’t even consider writing it until I was nearly thirty, after I’d spent fifteen years writing poetry that only got published in small literary magazines… when it got published at all. And it took twenty years after my first story was published before I could afford to become a full-time writer.
All of that is likely why I’m somewhat surprised by an attitude I’ve seen in a certain segment of F&SF writers, who quite vocally, or rather in print, are so disparaging of “traditional” publishing. Traditional publishing really shouldn’t be called that – it’s large-scale commercial publishing. So-called “traditional” publishers are interested in selling large numbers of copies of what they print. Given their systems and cost structures, they can’t afford to sell less than roughly 5,000 hardcovers of a novel [these figures may be out of date, but the basic point remains]. They may occasionally do so, for books that editors think are “special,” but that doesn’t happen often.
A generation ago, an author who couldn’t sell that many books had nowhere to go. Happily today, with the advent of small presses, print-on-demand, and even Amazon [ another evil empire], authors who sell below the unofficial cutoffs of traditional publishing can still publish and sell their work, always assuming that they have a body of readers. To make a decent living that way generally requires a great deal of work… and the ability to turn out several novels a year. Some authors, but not that many, I suspect, who publish this way do quite well. Every year a few are even “recruited” by traditional publishers. From what I’ve observed, some gladly accept, just as I’ve seen some traditionally published authors walk away because they found traditional publishing too confining.
Yet I see comment after comment talking about the evils of traditional publishing, and even forecasts of its coming collapse. I don’t see that happening. I do see an industry in the middle of massive change. The numbers of mass market paperbacks printed and sold, once the preferred reading material of F&SF readers, have shrunk to a fraction of former sales, largely replaced first by e-books, and more recently by audiobooks. Hardcover sales, on the other hand, so far seem to be holding up.
Some readers, of course, now bemoan the costs of e-books released by traditional publishers, which, after the first year of release, are priced roughly the same as mass market paperbacks. That bemoaning, I suspect, is because self-publishing “indie” authors offer their books at a lower price. That pricing gains them readers, but the author pays for it in another way. He or she also has to deal personally with the details for covers, publicity, editing, proofing, etc., or hire others to do so… or risk presenting a technically inferior package. In effect, those writers are trading off writing time for production time.
But unlike the evil empire of Star Wars, traditional publishing isn’t out to destroy “indie” or self-publishing authors. Those publishers, like everyone else, are trying to make money. For the author, it’s much more a question of which costs an author chooses or is forced to bear, the “tyranny” of the “evil empire” or the greed of the readers in the self-publishing market, but they do have an option besides traditional publishing, unlike writers of an earlier time.