The other day I read an interview with yet another hot new [comparatively, at least] writer, in which the writer made a comment about being “frustrated with the way fantasy worlds have this stasis… a medieval stasis for ten thousand years.” Then the writer’s subsequent comment dealt with that writer’s latest work that included inventors and social change, which, while not groundbreaking, were new to the writer.
Needless to say, my first instinct was to seek out and strangle the younger [and well-selling] hot writer, given that for thirty years I’ve been writing best-selling fantasy with settings that have been anything but static, and which include technology well beyond the medieval, multiple government systems, and diverse cultures.
My second thought was to do a little research. Even a brief stint of researching suggested that, while there was a period lasting into the mid-1990s where there were some number of medieval-stasis-type cultures in fantasy, it seemed to me that fantasy writers, for the most part, tended to focus on periods in specific historical eras and riff off them, sometimes medieval, sometime Byzantine, sometimes Renaissance, sometimes Regency, as well as, in more recent years, riffs on non-European history and cultures, etc., and that very few of those writers created endless static societies(although there has been a notable and excellent recent SF novel about an apparently endless and static empire).
Very few writers (and I will claim to be one of them) create their worlds from whole(r) cloth. I use the qualifier “wholer” because what we know comes from our own background, education, and experience, and there’s likely no way to create a new world from totally “whole” cloth, so to speak, but I do know of other writers who do the same, and none of those worlds are “medieval” or “static.”
Yet this hot writer is either dismissive or unaware of a fair number of books already out there which have already accomplished what this writer has so recently completed. I have not met this writer, but my first impression is less than auspicious.
For those of you aspiring to be the next new hot writer, I suggest that a bit more humility and little more knowledge of the field would be most useful. But then, I’m just a curmudgeonly old writer who broke in using that obsolete word-setter called a typewriter and who has the equally old fashioned idea that it’s helpful to know the past of one’s field and what other writers have done and are doing.