There are so many different ways to categorize or analyze books that anything I write is likely to have been said or written many times before, but the other day something struck me, in an analytical sense, that I’ve known so intuitively that I never really ever verbalized it. It was simply that there are some books that one reads merely to get to the end in order to find out what happens, or who did what in what fashion, and there are others where each page is a delight, and one is disappointed when the book ends. The first kind of book is about “getting there,” and the second is more about “being there.”
Just as there are both kinds of books, and a great many that fall in the middle, readers also tend to fall along that spectrum as well.
Personally, I tend to like books that incorporate both aspects, and, obviously, I try my best to create both feelings, but my books, I suspect, tend to have a strong component of “being there,” and I’m reminded of that when I see reviews or comments by readers who complain about too little action or not enough battles or too many meal scenes.
But there’s more to “being there” than just language or description of mundane events. As a former Navy search and rescue pilot, I can’t help but recall the description of Naval Aviation that instructors brought up more than a few times – “ninety-nine percent routine boredom and one percent pure terror.” I also held a variety of fairly senior staff positions in national politics over nearly twenty years, from the Nixon Watergate years through Reagan years and some of the first Bush presidency. There were some tense moments there, about which the less said in this or any other public forum, the better, but the bottom line was the same. Pulse-pounding, heart-stopping action is rare and infrequent, as is political tension and true drama… and both are usually caused because someone’s screwed up the “being there” and routine parts of life [as we’re now seeing in the U.S. political arena at present].
That’s another reason why I write the way I do, because I like showing just how that can happen, and how disaster so often comes as a result of carelessness, thoughtlessness, lack of understanding, or incompetence in dealing with the routine. Seeing the protagonist fix the disaster, of course, is what most readers enjoy, but I’ve found in many novels that there’s little detail or creation involved in what causes the disaster, and that often there is problem after problem that, when considered for more than a moment, come off as improbable.
That’s why it helps to have at least at bit of “being there” because it makes the “getting there” more enjoyable and a deeper read… at least in my view.